Editing Magic: Post-processing Film Scans

Post-processing is a crucial step in film scanning. First and foremost, this is the step where the negative image is converted into a positive. Additionally, post-processing helps correct any imperfections that might have occurred during the scanning process. This is also your opportunity to bring the digital image as close as possible to the original look of the film, or even to enhance it further. The goal is to restore colors, correct exposure, adjust contrast, and fix any dust or scratches that might be present on the film. 

There are numerous software options available for post-processing, including Adobe Lightroom, Capture One, and open-source options like Darktable. Each of these applications has its strengths. Lightroom and Capture One offer powerful color correction tools, while Darktable provides more in-depth control over your image processing workflow.

When post-processing, your main focus should be on color correction, exposure adjustment, and dust/scratch removal. Depending on the condition of your film, you may also need to address issues like fading and color shifts. Always aim to retain the character and quality of the original film image.

Getting the colors right can be challenging, especially with color negatives. Consider that an art. Tools like color balance, hue, saturation, and luminance can help adjust colors to match the original as closely as possible. Capturing on film and then scanning images of color cards like Gretag-Macbet can provide a reference point for color correction.

Digital noise reduction tools can help reduce the appearance of grain, but use them sparingly. Overuse can lead to a loss of detail and a 'plasticky' look. Remember, grain is a characteristic of film photography and can add to the aesthetic of your image.

While the scanning process might be similar, the post-processing for B&W and color film can differ significantly. B&W film typically requires adjustments to contrast, brightness, and potentially dodge & burn techniques. In contrast, color film also involves color correction.

Most editing software includes tools for spot removal, healing, or cloning that can effectively remove dust and scratches. Some software even has automated dust and scratch removal features. However, the best prevention is always to keep your film and equipment as clean as possible.

For archiving, it's best to save your post-processed scans as 16-bit TIFF with LZW compression. This format is lossless, supports high color depth, and is widely compatible. For sharing and online use, high-quality JPEGs or newer WEBP format are usually sufficient.

Yes, many software applications allow for batch processing, which can save you a lot of time, especially when applying similar corrections to a series of images. Negative Lab Pro allows batch inversion of scans.  Lightroom has extensive tools to perform complex corrections against the array of images. However, each image should still be individually reviewed for best results.

If you're not getting the desired results from post-processing, you may need to review your shooting settings and the quality of your lighting, as well as your camera's exposure settings. The issue could stem from the initial digitizing process rather than the post-processing stage. Post-processing is a skill that improves with time and practice. There are numerous resources online, including tutorials and forums, where you can learn more and ask for advice. If you're still having difficulty, it might be worth consulting with a professional retoucher or enrolling in a course to develop your skills.